What we make
One thing, made three ways, and kept for good.
There is one product. A song written from a family’s own memories, a film cut from their own photographs, and a permanent private place to keep both. You offer the Tribute; there is nothing to choose between and nothing to upsell.
The song
The guaranteed part. When a family has too few photographs for a film, the song alone is the whole tribute — complete, not diminished.
Step 1. The family tells us about the person
Photographs, and the things behind them — who this is, why this one matters, the phrase he always said. The words are written from that, not from a template with a name dropped into it.Step 2. They read the words before anything is sung
The whole lyric, in front of them, before a note is recorded. If verse two misses the allotment they edit verse two. Up to 8 drafts of the words per tribute, and nothing is committed until they are content with them.Step 3. The song is recorded
An original recording in a voice chosen to suit the music — never an imitation of the person who died. Up to 3 recordings per tribute: enough to get it right, few enough that nobody is left endlessly re-rolling a slot machine at a funeral.
The film
Their own photographs, cut to the song. Where a family has told us who is in a picture, or what it is of, that picture lands on the line about them — the verse about the allotment over the photograph of the allotment. The rest carry the song between those moments. The words appear on screen as they are sung.
What it is
What it is not
A family can have the film re-cut up to 5 times without the song being recorded again. A re-cut re-arranges the same photographs into a different order; the pictures matched to a named person stay on their lines, and so do the opening and closing shots. It is a different arrangement, not a different edit — if a particular photograph is wrong for a particular line, that is a change to the words or the material, not a re-cut.
The keepsake
A place, not a link that expires
Private until they say otherwise
A copy they hold themselves
We keep it indefinitely and nothing expires it. If a family asks us to delete it, we do, at any time.
All of it under your name
Every surface a family touches carries your home’s name, logo and colours. The browser tab, the preview that appears when they forward the link to an aunt, and the text or email that brings them in — all of it says your name. None of it says ours.
What we will never do
- We will never clone or imitate the voice of the person who died.
- We will never generate video of them. The film is the family’s own photographs and nothing else.
- We will never build something that talks as them. A tribute is a thing you keep, not a person you visit.
And families are told plainly that the tribute is AI-made. That is a feature of how we work, not a disclaimer at the bottom of a page.
Formats, and what a family can ask for
The limits are here rather than in a contract, because a limit a family meets for the first time on their third try is a complaint you will field, not us.
| The song | MP3 audio |
|---|---|
| The film | MP4 video, 1920×1080, H.264 and AAC |
| Subtitles | Burned into the film as it is cut |
| Drafts of the words | Up to 8 per tribute |
| Recordings of the song | Up to 3 per tribute |
| Re-cuts of the film | Up to 5 per tribute |
| How long it is kept | Indefinitely, and deleted on request |
See a finished one
The quickest way to judge this is to watch one. Tell us about your home and we will walk you through a complete tribute — song, film and the keepsake page — end to end.